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Dear Diamond Ring,
We all know who's really a girl's best friend~~
Yours Sincerely,
Chocolate Cake
Except we, Quilters, know that the Diamond Ring quilt block IS our best friend.
Using simple techniques, we'll have all those points perfectly pointy and matched up tout suite!
Seams that nest and accurate 1/4" seam allowances are key.
To help you be successful, 'free-goodies' is our middle name. These are available right here in this tutorial:
Let's get busy and 'put a ring on it'!
Hate to Paper Piece?
Don't worry, I've got you covered.
Several abbreviations are used on this page. They are:
A 1/4" SA is used throughout this tutorial.
When pressing, first press the patches in the closed position just as they came off your sewing machine. This sets the seam, melding the fibers of the threads into the fibers of the fabric.
Then press the SA to the dark unless otherwise noted.
Pressing instructions are highlighted in yellow throughout this tutorial to make them easy to spot.
Take a quick Sewing Test to confirm your 1/4" seam allowance is exact. It's worth the couple of minutes it'll take.
And finally, starched quilt fabric just makes everything easier and more accurate. Learn the how's and why's of starching here.
NOTE: If you'd prefer not to paper piece ('cause it's like sticking a needle in your eye), click here to go directly to the cutting chart and instructions for a traditionally pieced Diamond Ring block.
To download the pattern, use the most current version of Adobe.
For accurate results, on Adobe's Print Menu page, under 'Page Size and Handling' set 'Custom Scale' to 100%. Then print.
Click here to see what it looks like on the Print Menu page.
Choose your finished block size from the chart below and print the corresponding number of pages for a total of 4 BWs and 4 FG.
Print the BW and FG Paper Piecing PatternsPrint 1 copy each for 1 block, except 2 copies of the BW for the 16"block | ||
---|---|---|
Finished Block Size | Finished FG Unit Size | Finished BW Unit Size |
8" | 1" x 2" | 2" |
10" | 1¼' x 2½" | 2½" |
12" | 1½" x 3" | 3" |
16" | 2" x 4" | 4" |
After printing, use the 1" square graphic on the printed page(s) to double check that your patterns printed at the correct size.
Click the images below to see the full collection. We share any commercial and/or free patterns that showcase them, too. (For inspiration, of course!)
Sample Block Size: 10" finished / 10½" unfinished
Grid: 8Ă—8
Attribution: Clara Stone
AKA: Fanny's Favorite (Ladies Art Company), Grandma's Choice (Needle Craft Supply), My Favorite (Nancy Cabot), Old Favorite (Nancy Cabot)
Design Type: Uneven 9-patch, small center |. Paper Piecing
Label your patches. We use the numbers all through this tutorial.
It's important to choose fabrics with high contrast so all the points you piece show up.
In the sample block, my go-to, a neutral Moda Grunge, is used for the background (Bac) and an older fun little swirly pink is used for the darker A fabric. (I oh-so wish I could find more of this one...)
Cutting Chart for a~ Paper Piecing ~ | |||||||
---|---|---|---|---|---|---|---|
Patch | Fabric | Qty | Finished Block Size | Sub Cut | |||
8'' | 10'' | 12'' | 16'' | ||||
BW-1 | A | 4 | 1¾'' x 1¾'' | 2'' x 2'' | 2¼'' x 2¼'' | 2¾'' x 2¾'' | --- |
BW-2 BW-3 Sky | Bac | 8 | 2⅜'' x 2⅜'' | 2⅝'' x 2⅝'' | 2⅞'' x 2⅞'' | 3⅜'' x 3⅜'' | |
BW-4 | A | 2 | 3⅜'' x 3⅜'' | 3⅞'' x 3⅞'' | 4⅜'' x 4⅜'' | 5⅜'' x 5⅜'' | |
Goose | A | 1 | 3⅝'' x 3⅝'' | 4⅛'' x 4⅛'' | 4⅝'' x 4⅝'' | 5⅝'' x 5⅝'' | |
5 | Bac | 8 | 1½'' x 2½'' | 1¾'' x 3'' | 2'' x 3½'' | 2½'' x 4½'' | --- |
6 | A | 4 | 1½'' x 1½'' | 1¾'' x 1¾'' | 2'' x 2'' | 2½'' x 2½'' | --- |
7 | Bac | 4 | 2½'' x 2½'' | 3'' x 3'' | 3½'' x 3½'' | 4½'' x 4½'' | --- |
8 | A | 1 | 2½'' x 2½'' | 3'' x 3'' | 3½'' x 3½'' | 4½'' 4½'' | --- |
Unfinished Block Size | 8½'' | 10½'' | 12½'' | 16½'' | na | ||
Grid Size | 1'' | 1¼'' | 1½'' | 2'' | na |
After all the patches are cut, check to see that you've got the subcutting done, too. Use the little symbols in the cutting chart to help. Don't forget to label them. It's easy to get the #6s and BW1s mixed up.
I love the look of Moda's Grunge for my backgrounds. The subtle texture adds movement to the blocks without distracting from your piecing.
But man-O-man, it sure is easy to confuse the right and wrong sides. <hangs head in shame>
To keep my patches straight, I'll lay all my Grunge patches, say the #7s, right side up, and then put a pin through the top. The patches can't get mixed up. I simply remove the bottom patch to use in construction. Without looking, I know which way is up.
In the photo above, you can see where the #5, #7, and BW2, BW3 and Sky patches are pinned this way.
A simple solution for a pesky problem.
To prepare your paper piecing patterns, cut out four of each for the FB and BW units. Don't bother to cut exactly on the outside dashed line.
A bit beyond is good enough for now.
General Sewing Machine Setup for Paperpiecing
After adding each patch, press the unit as it was sewn to set the seam and then open. The SA is automatically pressed towards the last patch added.
Before adding the next patch, take a look to make sure the one you just added covers the space plus seam allowance that it is supposed to.
Steam is optional and usually curls the pattern.
If that bothers you, don't use steam. Sometimes I do. Sometimes I don't.
It truly depends on my mood.
Remember, as you follow this paper piecing tutorial, the printed and the fabric sides of this block are mirror-images of each other.
At last!
Let's sew!
Use the tiniest dab of Elmer's Washable Glue Stick to position the BW-1 and Goose to the unprinted side of the corresponding pattern. The patches need to stay put for the first seam...not for eternity.
The dashed guidelines make positioning quick, easy and accurate to do.
Once all 8 are in place, you can put away the glue stick.
Can you use pins?
Of course, you can! But they have a tendency to distort the pattern. Gluestick is quick, easy, and cheap...and readily available.
Make 4
With RST, line up the short side of a BW2 with the edge of BW1.
Since we're adding a lighter patch over a darker one, I've nudged BW2 a few threads past the edge of BW1 (pink arrow) to prevent the darker fabric from shadowing through the top of the block. The patches are cut big enough to do this.
Sew, starting and ending a generous 1/4" past the solid line between the two patches on the pattern.
All your seams are stitched this way. The stitching that crosses these stitches secures them...just like in traditional piecing.
Press.
Repeat these steps when you add BW-3 to the adjacent side of BW-1.
I've done that same 'nudging' here, too. (pink arrow)
Press.
Trim away any thread tails in the center on the paper side of the pattern with scissors.
There's no need to do anything with the ones on the outside edge of the BW. They'll all be removed as you trim away excess seam allowances.
To create the perfect placement line for BW-4, at your cutting mat, paper side up, align the edge of your ruler with the solid line between BW-4 and BW2/BW3.
With your fingernail, crease the pattern along the solid line and fold it back on itself. You will rip the paper a bit. That is just fine.
If you think it's ripped too much, use a bit of Scotch Brand Magic Tape® to repair it. Remember, NEVER press on the tape with your iron.
Line up the 1/4" line on your ruler with this folded edge and cut away the excess (pink arrow) to create the perfect 1/4" SA.
Back at your machine, with RST, align the newly cut edge and the long side of BW4.
This time, we're adding a darker patch over a lighter one. No chance of this shadowing through. No need to nudge BW4.
Sew the seam, again starting and stopping outside the dashed lines that surround the block.
Since this stitching runs from outside edge to outside edge, you CAN chain piece this last seam in your BWs. (YES! There's chain piecing in paper piecing!)
Press.
Trim the block to perfection.
At your cutting mat, paper side up, line up the 1/4" mark on your ruler with the solid outline around the BW. Trim away the excess.
Repeat for each side of all four BWs.
Here's what it looks like before (left) and after (right) trimming.
Remove that paper and give your BWs a final press.
Set aside.
Make 4
With RST, align the long bias edge of a Sky with either short side of the Goose.
It doesn't matter which side you start on, though I heartily recommend being consistent in your choice.
If you start on the right, always start on the right.
It's easier to keep your patches organized and get a nice rhythm to your stitching when you're making lots of blocks.
Start and stop this seam a generous 1/4" before and after the solid sewing line.
Just like that last seam in the BWs, you can chain piece both seams in your FGs.
Press.
Repeat these steps for the second Sky to complete each FG.
Press.
Remove the papers after trimming to perfection.
Give the units one final press.
Return your sewing machine to your everyday settings.
We stitch the remainder of the block with traditional techniques.
Install your favorite quarter inch presser foot. Adjust the needle position if needed. Return to your normal piecing stitch length.
NOTE: From this point forward, regardless of whether you paper pieced or traditionally pieced the units, the instructions are the same.
Make 4
With RST, sew a FG to a #7 square.
The SA is pressed toward #7.
Use the chart below to check your accuracy.
After sewing, all FGSide units measure... | |
---|---|
Finished Block Size | Edge-to-edge Measurement |
8" | 2½" x 3½" |
10" | 3" x 4¼" |
12" | 3½" x 5" |
16" | 4½" x 6½" |
Make 4
With RST, sew a #6 to #5, and a #5 to the left side of a BW as shown below.
SAs are pressed toward the #5s.
With RST, sew the #5/#6 to the #5/BW. Pin as needed for a good match at the seam. (Those seams nest and make this job easier.)
Press this SA away from the BW unit.
Here is a finished Corner.
Repeat for a total of four.
After sewing, all Corners measure... | |
---|---|
Finished Block Size | Edge-to-edge Measurement |
8" | 3½" x 3½" |
10" | 4¼" x 4¼" |
12" | 5" x 5" |
16" | 6½" x 6½" |
Arrange the #8 center square and all the corner and side units into the Diamond Ring design—dark squares in the four corners with BWs on the inside.
There's a lot of movement in the design already, isn't there? And the piecing was a piece o' cake!
With RST, stitch the patches together into horizontal rows.
Nested SAs make it easier to match all those pointy-points. (This is one of the biggest benefits of paper piecing—if you've deliberately stitched on the line, the points are effortlessly at the 1/4" seam allowance.)
In all these rows, press the SA towards the FGSides.
And from the backside, your Diamond Ring quilt block should look something like this.
...visit our Free Quilt Block Pattern Library, with over 230+ blocks to choose from in multiple sizes.
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